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Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlands, Antoine Caron in France, Francisco Ribalta in Spain, and Bartolomeo Bitti in Peru, the contributors highlight lesser known "reforms" of art from outside the conventional centers. As the first text to cover this formative period from an international perspective, this volume casts new light on the aftermath of the Renaissance and the beginnings of "Baroque."

Christian church history --- Art --- Counter-Reformation --- Council of Trent --- anno 1500-1599 --- anno 1600-1699 --- Art, Late Renaissance. --- Counter-Reformation and art. --- Art and society --- History --- Art, Late Renaissance --- Counter-Reformation and art --- Influence. --- Contre-Réforme et art --- Aspect social --- Art and society - Europe - History - 16th century --- Art and society - Europe - History - 17th century --- Contre-Réforme et art. --- Christelijke kunst

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The beeldenstorm, or the Iconoclastic Fury, that raged throughout the Low Countries in 1566 is a key concept in Netherlandish history. This popular uprising, which was partially grafted on Protestant ideas, has traditionally and unquestioningly been considered a turning point in the history of the Low Countries. It is all the more striking, therefore, that this occurrence has received scant attention in art history and that there has been little interest in the development of painting just after the beeldenstorm and before the advent of the great Baroque masters.Featuring previously unpublished materials, "Antwerp Art after Iconoclasm" investigates how the esteemed painters of the period - including Adriaen Thomasz Key, Maarten de Vos, Frans Pourbus the Elder, and Michiel Coxcie - sought a new visual idiom. This study explains why this period of Netherlandish history should be considered an important turning point in the broader context of art history. It demonstrates that the era's paintings represent a subtle but nonetheless important reinterpretation of the traditional, religious iconography and style, which served as the starting point of Netherlandish Baroque style.

History of Antwerp --- Art --- anno 1500-1599 --- History of civilization --- Painting, Flemish --- Counter-Reformation in art. --- Peinture flamande --- Contre-Réforme dans l'art --- Peinture --- Iconoclasme --- Contre-Réforme dans l'art --- Counter-Reformation in art --- Painting, Netherlandish --- Netherlandish painting --- Flemish painting --- beeldenstorm --- geschiedenis --- cultuurgeschiedenis --- religieuze geschiedenis --- christelijke iconografie --- 1566 - 1585 --- 16de eeuw --- Antwerpen --- Zuidelijke Nederlanden --- Painting, Netherlandish. --- Contre-Réforme dans l'art. --- Painting, Flemish. --- 1500-1599. --- Belgium

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Christian church history --- History of France --- anno 1500-1599 --- Counter-Reformation --- Huguenots --- Contre-Réforme --- Controversial literature --- History and criticism. --- Ouvrages de controverse --- Histoire et critique --- Catholic Church. --- Apologetic works --- France --- History --- Propaganda. --- Histoire --- Propagande --- Contre-Réforme --- Huguenots - Controversial literature - History and criticism. --- France - History - Wars of the Huguenots, 1562-1598 - Propaganda. --- Protestantisme --- Catholic Church

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"Often considered as the first phenomenon of mass media in history, the use of books and prints by Protestants has been widely studied and has generated a rich and plentiful bibliography. In contrast, the production and use of these supports by the partisans of the Counter-Reformation have not received the attention they deserve, especially in the context of the Low Countries. The twelve contributors provide new perspectives on the efficacy of the handpress book industry to support the Catholic strategy of the Spanish Low Countries and underlines the mutually beneficial relationship between proponents of the Counter-Reformation and the typographic world. It is therefore also an important contribution to our understanding of sociocultural and socioeconomic background of the Catholic Netherlands"--

Catholics. --- Catholic Church. --- Christian literature, English. --- English Christian literature --- English literature --- Christians --- Catholics --- Catholic Church --- Christian literature, English --- Book history --- Christian church history --- Graphic arts --- History of the Low Countries --- boeken vóór 1800 --- book history --- illustrations [layout features] --- Counter-Reformation --- anno 1500-1599 --- anno 1600-1699 --- Publishers and publishing --- Catholic literature --- Illustrated books --- Contre-Réforme --- Littérature catholique --- Éditeurs --- History --- Publishing --- History. --- Édition.

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During the late 16th century the cross became a popular theme in art, particularly in Italy and southern Germany. This study focuses on the cross as a triumphal symbol of the spiritual and worldly claim to power.

Christian religion --- Iconography --- anno 1500-1599 --- Holy Cross in art --- Christianity and art --- Art, Italian --- Art --- Religious architecture --- Catholic Church --- Oratorianen --- crucifixes --- Beieren, Sint-Michaelskerk --- München, St. Michaelskerk --- beeldenstorm --- H. Kruis --- obelisks [monumental pillars] --- relics --- Borromeo, Charles --- Baronius, Caesar --- Society of Jesus --- Jerusalem --- Rome --- Milan --- Christianity and art - Catholic Church --- Art, Italian - 16th century --- Art - Germany, Southern - 16th century --- Religious architecture - Italy - 16th century --- Religious architecture - Germany, Southern - 16th century --- Croix --- Contre-Réforme --- Christelijke kunst